Mikhail Andreevich tells a story that he considers symbolic.
Nature endowed Mikhail Dmitrov with a multifaceted artistic talent: his graphic drawings rapture with the elegance of lines and the artistry of the composition; metaphysical painting touches on the deep questions of existence and reveals the secret essence of things; landscape projects harmonize the space and make it more comfortable. But, first of all, Dmitrov is a sculptor. The portraits, statues, figurative groups carved by him from wood, graven from stone, poured from metal, are characterized by psychological expressiveness and are filled with deep moral content. The emergence of new, unexpected forms is counterbalanced by the cultural and historical memory of the artist and his appeal to the spiritual origins of the Ukrainian nation.
Mikhail Andreevich tells a story that he considers symbolic.
An artist is born for a certain piece of land, which he should not change or improve. The task of the master is to record the processes taking place in his region.
The officials endorsed the work of Dmitrov’s verdict ‘Does not meet the method of socialist realism,’ and therefore has no right to exist.
He was born on May 25, 1950, in a prison cell. His mother was arrested along with other unreliable on suspicion of assisting the UIA.
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