In Kristina Smelova’s painting, the impressionist methods are clearly visible. Working mostly with the palette knife, the artist doesn’t care about carefully painting out individual objects, but conveys the unsteady, momentary state of space as a whole. Applying wide pasty strokes, she seems like covers her own feelings and experiences with color relief. At the same time, Smelova’s painting is not constrained by the theme of public relations or politics.

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