Flower of Love 2.0: Toxic Blooming

This is the embodiment of primal, unrefined power, where the body becomes a vessel for poisonous beauty.

This is not gentle blossoming — it is an explosion. It is the moment when energy, sexuality, and the shadow sides of desire can no longer be contained and burst outward.

The black glossy body recalls latex — a material of power, control, domination. It gleams like the nocturnal skin of a mythical creature created not to submit, but to dictate the rhythm.

In contrast to it stands the fiery orange, red, dangerously glowing “floral” eruption. It carries erotic threat, a magnetism that both seduces and repels. The bloom here is not a symbol of innocence. It is a weapon. A predatory lure ready to burn anyone who comes too close.

The sculpture continues the archetype of Lilith — the first woman who refused to obey. Here her myth manifests as a lightning-body, merging the masculine and the feminine, the phallic and the floral.

The form becomes a hymn to autonomy: love here is not sentiment but metamorphosis; a state where tenderness meets danger, and beauty meets poison.

This is a sculpture about power, sexuality, and dangerous blooming — about how eros can become the energy of life, and life the heat that burns away old forms.

Transformer: the floral part is removable, and the body can function as a vase for flowers or symbolic compositions, emphasizing the idea of multilayered bodily transformation.