Коротка біографія та нагороди художника (російською мовою) : <p>Сергей Принь родился в 1962 году в Донецке в семье художника, известного в Украине художника Приня-старшего.<br />В 1990 году окончил Донецкое художественное училище.<br />В 1996 году окончил Харьковский художественно-промышленный институт по специальности "Монументально-декоративное искусство".<br />С 2000 года - член Национального союза художников Украины.<br />В 2002 году вошел в круг ведущих художников страны, его полотна получили высокую оценку профессионалов.<br />Участник областных, региональных, всеукраинских и международных выставок. Работы демонстрировались на выставках в Румынии, Литве, Латвии, Польше, Международной выставке-аукционе современного изобразительного искусства "ART-FOR" (г. Донецк), юбилейной выставке "Украина в Украине" (г. Киев), выставках "Украина в Москве" (ЦБХ, г. Москва), "Мир левкаса" (г. Киев, г. Одесса, г. Львов, г. Черновцы) и др.</p>

Коротка біографія та нагороди художника (українською мовою) : <div class="rte">
<p>Сергій Прінь народився 1962 року в Донецьку у родині художника, відомого в Україні митця Пріня-старшого.</p>
<p>У 1990 році закінчив Донецьке художнє училище.</p>
<p>У 1996 році закінчив&nbsp;&nbsp;Харківський художньо-промисловий інститут за спеціальністю &laquo;Монументально-декоративне мистецтво&raquo;.</p>
<p>З 2000 року &ndash; член Національної спілки художників України.</p>
<p>У 2002 році увійшов до кола провідних художників країни, його полотна одержали високу оцінку професіоналів.</p>
<p>Учасник обласних, регіональних, всеукраїнських і міжнародних виставок. Роботи демонструвалися на виставках у Румунії, Литві, Латвії, Польщі, Міжнародній виставці- аукціоні сучасного образотворчого мистецтва &laquo;ART-FOR&raquo; (м. Донецьк), ювілейній виставці &laquo;Україна в Україні&raquo; (м. Київ), виставках &laquo;Україна в Москві&raquo; (ЦБХ, м. Москва), &laquo;Світ левкасу&raquo; (м. Київ, м. Одеса, м. Львів, м. Чернівці) тощо.</p>
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Коротка біографія та нагороди художника (англійською мовою) : <div class="rte">Serh<span lang="EN-US">ey</span>&nbsp;Pr<span lang="EN-US">i</span>n was born in 1962 in Donetsk in the family of the artist, well-known in Ukraine artist Pr<span lang="EN-US">i</span>n Senior.<br />In 1990 he graduated from Donetsk Art School.<br />In 1996 he graduated from Kharkiv Art and Industrial Institute, specializing in Monumental and Decorative Art.<br />Since 2000 - member of the National Union of Artists of Ukraine.<br />In 2002, he became one of the leading artists of the country, his paintings were highly appreciated by professionals.<br />Participant of regional, regional, all-Ukrainian and international exhibitions. His works were demonstrated at the exhibitions in Romania, Lithuania, Latvia, Poland, the International exhibition-auction of contemporary fine art "ART-FOR" (Donetsk), the jubilee exhibition "Ukraine in Ukraine" (Kyiv), the exhibition "Ukraine in Moscow" (Central House of Artists, Moscow), "The World of Levkas" (Kyiv, Odesa, Lviv, Chernivtsi), etc.</div>
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Фото UK : <p><img src="../../../img/cms/a_photo_of_partners/102_ prin_1.jpg" alt="" width="1058" height="1224" /></p>

Фото RU : <p><img src="../../../img/cms/a_photo_of_partners/102_%20prin_1.jpg" alt="" width="1058" height="1224" /></p>

Рецензії, Статті EN : <h1>Eclectic life of Serhiy Prin</h1>
<p><em>Contemplating Serhiy Prin's paintings, it is as if you are immersed in the world of biblical and evangelical stories, Ukrainian folklore, images of the European Middle Ages, and European masters of the early 20th century. The realization comes that his painting is the world of a good fairy tale, which is so lacking in our pragmatic time. I want to believe Sergey and think that this is how it is: people fly, cats think a lot and are sad, and carousels and love are the most important things that can be in the world.</em></p>
<p>&nbsp;</p>
<p>Born in 1962 in Donetsk. He graduated from the Donetsk Art School and the Kharkiv Art and Industrial Institute, majoring in "Monumental and Decorative Art".</p>
<p>Since 2000, he has been a member of the National Union of Artists of Ukraine.</p>
<p>In 2002, he joined the circle of leading artists of the country, the list of which was published in the annual all-Ukrainian publication "Face of Ukraine", his canvases were highly appreciated by professionals.</p>
<p>Participant of regional, regional, all-Ukrainian and international exhibitions. The works were shown at exhibitions in Romania, Lithuania, Latvia, Poland, the International Exhibition-Auction of Contemporary Fine Art "Agi&pound;og" (Donetsk), the jubilee exhibition "Ukraine in Ukraine" (Kyiv), exhibitions "Ukraine in Moscow" (CBH, Moscow), "The World of Levkas"</p>
<p>(Kyiv, Odesa, Lviv, Chernivtsi) etc.</p>
<p>Most of the paintings of the Donetsk native are story compositions, their own fairy-tale world, where inanimate objects are endowed with emotions and are able to feel beauty and ugliness, perceive someone else's pain as their own. On individual canvases, the author can be ironic, sometimes sarcastic, as if inviting the viewer to dialogue, discussion, forcing to think about how we live and where we are going.</p>
<p>&nbsp;</p>
<p><strong>- Your creativity is very diverse. What style do you work in?</strong></p>
<p>&nbsp;</p>
<p>- I have developed my own "language". There are almost no realistic works, because this genre is not particularly interesting to me. Of course, from time to time I paint such paintings, but mainly they are creative canvases with unique images.</p>
<p>&nbsp;</p>
<p><strong>- Along with the themes of the city, the world and music, reflected in the form of peculiar pictorial fairy tales-parables, in your creative laboratory religious themes also occupy an important place. What are you trying to convey to the audience thanks to these symbols?</strong></p>
<p>&nbsp;</p>
<p>- Turning to biblical and evangelical subjects is a philosophical understanding of human life on Earth, such eternal and ambiguous concepts as good and evil, joy and sorrow, love and hatred.</p>
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<p><strong>- You often use the ancient technique of levkas, refracted through the prism of modern art. Say a few words about her.</strong></p>
<p>&nbsp;</p>
<p>- This ancient technique of priming wood, which came from Byzantium, was known since the time of Ancient Russia and was successfully used by icon painters. The facial expressions of all the heroes of my canvases also come from there - from the gracious faces of Rublev, and not at all from Theophanes the Greek, who threaten punishment.</p>
<p>&nbsp;</p>
<p><strong>- A characteristic feature of your paintings is the narrowness of the world and the overpopulation of canvases...</strong></p>
<p>- There is space only where they love, because there are only two people there, for them no one else exists...</p>
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<p><strong>&ndash; Princesses with infants, merry-go-rounds, magical hats and clever cats, Iranian hunting, completely habitable gingerbread houses that easily fit in the palm of your hand, multi-wheeled trains and equal-sized saints... All these heroes, despite expectations, are silent and focused, chaste and weightless, on the verge of being able to fly. What is it connected with?</strong></p>
<p>&nbsp;</p>
<p>Volatility - from the composition, asceticism and silence - from the palette, chastity - from the technique.</p>
<p>&nbsp;</p>
<p><strong>- The atmosphere of most of your canvases is emphatically carnivalesque - masks and costumes, clown kings and queens, loss of sense of time. Are spatial boundaries as tight as temporal boundaries for you?</strong></p>
<p>&nbsp;</p>
<p>- The dignity of an artist is the ability to see, to reward any ordinary thing with a fabulous side. I try to let the characters float freely in a clogged aquarium or the airless atmosphere of an elevator stuck halfway. Movement as such, senseless circling-swimming is the main plot of these paintings. The thinking here is demonstrably anti-historical: instead of movements towards a goal, there is a self-conscious rotation in place, instead of a coherent plot, there are scenes mounted according to the principle of a circus parade-alle.</p>
<p><em>Ksenia Faichuk</em></p>
<p><em>Business Bulletin, No. 4 (251), 2015</em></p>