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36612
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Movement is the main criterion that characterises the stylistics and plasticity of this work.
Awareness of the correspondence of magnitudes in the process of perceiving the work transforms the spatial world of the painting into a conceptual space-time.
Whereas the philosophical stone of this symbolic-mythological work is the concept of space-time.
Where the philosopher's stone of this symbolically mythological work is the flow of space into time, recreated by means of symbolism.
Through the visual perception of the correlations of the accents of the composition, duration, dynamism, a certain transposition of sequence into simultaneity are comprehended.
Where the individual symbols are symbolised by the symbolism of time.
Where individual symbols-images folding in the process of visual perception create a complete, simultaneous image of the picture. Transposition - change of places of two or more elements. Shifting of semantic accents from one fragment of the plane to another.